Lenses of all types
- Cinema Lens
- Full frame lens
- 4K-capable
- high-quality mechanics and optics
- Lens speed: 2.6
- identical in construction to the other focal lengths in the lens series
- 0.8 mm gear rim
- incl. bag and protective cap
XEEN Cinema 16mm T/2.6 Micro Four Thirds
- Cinema Lens
- Full frame lens
- 4K-capable
- high-quality mechanics and optics
- Lens speed: 1.5
- identical in construction to the other focal lengths in the lens series
- 0.8 mm gear rim
- incl. bag and protective cap
XEEN Cinema 50mm T/1.5 Micro Four Thirds
- Full-frame lens
- 4K-capable
- high-quality mechanics and optics
- Lens speed: 3.1
- 0.8 mm gear rim
- incl. bag and protective cap
XEEN Cinema 14mm T/3.1 Micro Four Thirds
- Cinema Lens
- Full frame lens
- 4K-capable
- high-quality mechanics and optics
- Speed: 2.2
- identical in construction to the other focal lengths of the lens series
- 0.8 mm gear rim
- incl. bag and protective cap
XEEN Cinema 135mm T/2.2 Micro Four Thirds
Free live consultation
Your individual consultation - from the comfort of your sofa
- Cinema Lens
- Full frame lens
- 4K-capable
- high-quality mechanics and optics
- Lens speed: 1.5
- identical in construction to the other focal lengths in the lens series
- 0.8 mm gear rim
- incl. bag and protective cap
XEEN Cinema 85mm T/1.5 Micro Four Thirds
- Full-frame lens
- 4K-capable
- high-quality mechanics and optics
- Lens speed: 1.5
- Identical to the other focal lengths in the lens series
- 0.8 mm gear rim
- incl. bag and protective cap
XEEN Cinema 24mm T/1.5
-
Micro Four Thirds
Am Außenlager. Lieferzeit 4-6 Werktage nach Zahlungseingang.
-
Sony FE-Mount
Am Außenlager. Lieferzeit 4-6 Werktage nach Zahlungseingang.
- Full-frame lens
- 4K-capable
- high-quality mechanics and optics
- Lens speed: 1.9
- Identical to the other focal lengths in the lens series
- 0.8 mm gear rim
- incl. bag and protective cap
XEEN Cinema 20mm T/1.9 Micro Four Thirds
- compact 35 mm fixed focal length with effective speed (T-stop) 1:1.5
- spectacular 4K lens resolution
- 35 mm full-frame image circle
- industry-standard manual control
- 11-blade diaphragm for attractive background blur
- compatible with 35 mm 35 mm and Super 35 mm cameras with EF bayonet
Canon CN-E 35mm T/1.5 L F Canon EF
Unfortunately, we cannot offer this article here. However, you are welcome to order it at www.fotokoch.de
Switch to fotokoch.de- Canon RF 24-50mm f/4.5-6.3
- nearly silent AF operation
- powerful image stabilization for videos and photos
- STM focus drive
- small, lightweight body
- ideal for shooting family groups, portraits, interiors and travel
- nearly circular 7-blade iris diaphragm that provides out-of-focus highlights (bokeh)
Unfortunately, we cannot offer this article here. However, you are welcome to order it at www.fotokoch.de
Switch to fotokoch.de- Lens with wide angle of view
- precise manual focus
- almost distortion-free optics
- DeClick function
Zeiss Loxia 35mm f/2.0 Sony FE mount
- Ultra-bright standard lens for professional use
- 45 cm close-up
- Splash water and dust protected
Canon EF 50mm f/1.2 L USM Canon EF
Unfortunately, we cannot offer this article here. However, you are welcome to order it at www.fotokoch.de
Switch to fotokoch.de- Compact, fast LEICA high-performance telephoto zoom
- Lens speed 2.8-4.0
- Focal length 50-200 mm (KB: 100-400 mm)
- optical image stabilizer - Power OIS - DUAL IS compatible
- robust design
- Dust, splash and cold protection
Panasonic Lumix DC-G9 II + Leica AF 12-60mm + Panasonic AF 50-200mm f/2.8-4.0 Leica DG Vario Elmarit O.I.S. MFT
- Super wide angle
- precise manual focus
- almost distortion-free optics
- high-quality all-metal mount
- comprehensive compatibility
- DeClick function
Zeiss Loxia 21mm f/2.8 Sony FE mount
- Robust and compact telephoto zoom lens
- versatile zoom range of 70-200 mm
- constant speed of 1:4
- Focusing with ring USM
- 5-stop optical image stabilizer
- Fluorite lenses
- extremely mobile with a weight of only approx. 780 g
Canon EF 70-200mm f/4 L IS II USM Canon EF
Unfortunately, we cannot offer this article here. However, you are welcome to order it at www.fotokoch.de
Switch to fotokoch.de- Fixed Focal Length Portrait Lens
- very fast F1,4
- compact and lightweight body
- revised Dual Type LSM autofocus, quiet, fast and precise
- ideal for portrait, wildlife and outdoor photography
- suitable for SLR full frame and APS-C cameras
Samyang AF 85mm f/1.4 Canon EF
Meaning of the delivery status
Immediately available
The item is in stock and can be shipped at short notice.
The item is also in stock in our shop in Düsseldorf.
Am Außenlager. Lieferzeit 4-6 Werktage nach Zahlungseingang
Der Artikel ist vor Ort in unserem Hauslager nicht vorrätig und wird nach erteiltem Kundenauftrag am Außenlager/beim Hersteller bzw. Distributor bestellt. Die zu erwartende Lieferzeit beträgt 4-6 Werktage.
Item has been ordered
The item has already been ordered from the manufacturer or distributor. The delivery time is usually between 1 week and 2 months. As soon as a more precise delivery time is known, we will publish the details on our website. After placing the order, you will be informed regularly about the delivery time.
Available at a specified date
The item has already been ordered from the manufacturer or distributor. We have been informed of the expected delivery date.
This item is ordered exclusively for you
The item is currently not in stock and will be ordered for you from the manufacturer or distributor after you have placed an order. The delivery time is usually between 1 week and 2 months. After placing the order, you will be informed regularly about the delivery time.
Item has been ordered. Delivery time 1-3 months
The item is currently not available. We were not given a delivery time. Experience shows that the expected delivery time is 1-3 months.
Currently not available
The manufacturer or supplier cannot confirm a date, so we assume a waiting time of 2 to 9 months. You can still order the item and secure your place on the waiting list.
Please note: Despite updating our website regularly, it is possible that an item may be out of stock but shown as available for a short time, especially when orders are high. All information is therefore without guarantee. We will inform you immediately if there is a delay in the expected availability/delivery time. The availability information refers to an order quantity of 1. Availability may vary for higher order quantities.
Delivery alarm
You would like to be informed as soon as the item is in stock?
Notification when the product is back in stockNo reservation and no place on the waiting listYou want to reserve the product?
Order now, pay later (prepayment)Notification when the product is back in stockProduct reservation and fixed place on the waiting listCancellable at any time free of charge (until delivery)Often a decision for life - choosing the right lens
Photography is always a question of focus. Clearly, it is the lens that changes the focus and makes the difference. And it is also always a question of ability, personal preferences and strengths. Of course, the question of which lens the photographer chooses also depends on the camera systems available - whether they prefer to work with system cameras (CSC) or single-lens reflex cameras (SLR). Fixed focal lengths do not have a zoom, so the photographer's eye is required here, as he must know which setting is suitable for which situation. On the other hand, they have a particularly good imaging performance with very low distortion, resulting in their superiority over other lenses. Fixed focal lengths are suitable for a whole range of subjects, from landscape photos to portraits. All lenses, such as those from Lensbaby, can be adjusted manually. In the fixed focal length range, there are new high-performance classics, optimized for digital technology, for example from Leica or the lenses from Meyer-Optik-G?rlitz, which have been revived according to original plans and adapted to digital technology. Among the Zoom and Megazoom lenses are high-performance lenses with a particularly wide focal length range and fast, virtually silent autofocus, suitable for wide-angle or telephoto applications. Here, Nikon is causing great amazement with the world's first ultra-wide-angle lens with image stabilizer, which ensures strong images even in low light. Horizons that bend and pillars that bulge forward for no reason - every photographer knows such difficulties. Shooting without distortion is a particular challenge with landscapes and architecture alike. Wide-angle lenses are available in the fixed focal length, macro, zoom and fisheye ranges, including a particularly distortion-free lens from Canon. While zooms and megazooms also cover the telephoto range, pure telephoto lenses are not suitable for the telephoto range Telephoto lenses - both as fixed focal lengths and as zooms - especially for wildlife and nature photography. At the top end, lenses from Hasselblad and Leica eliminate the need for any digital post-processing due to their outstanding quality. Olympus comes up trumps with the lightest and most compact telephoto lens currently available (Micro Four Thirds mount), while Sigma has the world's first lens with a speed of 2.8 at a focal length of 500 millimetres. Close up to the subject - the small really big - that is the specific feature of the Macro and its wide range of applications. Most lens manufacturers offer lenses for this special world in miniature - Canon, Nikon, Sony, Leica or Pentax as well as Tamron, Sigma or Samyang. Fish-eye lenses are available from D?rr, Samyang, Pentax, Panasonic, Olympus, Nikon, Sony and Walimex. Fish-eye photography can be used to achieve creative results and produce surprising effects, such as mountains that curve and walls that bulge outwards. Tilt-and-shift lenses from Canon, Nikon, Laowa, Leica, Samyang or Walimex, for example, help the photographer to correct the perspective of the image, i.e. to compensate for particular distortions, such as converging lines in architecture. Tilt" means panning (of the lens system in relation to the image plane). "Shift", on the other hand, means to move (for example, the focus area can be shifted while maintaining the exposure time).