Your shopping cart

Samyang MF 8mm f/3.1 Fisheye Video Fujifilm X

Objektiv für Systemkamera - APS-C / MFT
Item Nr. 35395
Für weitere Info hier klicken. Artikel: Samyang MF 8mm f/3.1 Fisheye Video  Fujifilm X
Drag mouse over image for larger view
Für weitere Info hier klicken. Artikel: Samyang MF 8mm f/3.1 Fisheye Video  Fujifilm X
Drag mouse over image for larger view
Für weitere Info hier klicken. Artikel: Samyang MF 8mm f/3.1 Fisheye Video  Fujifilm X
Drag mouse over image for larger view
Drag mouse over image for larger view
Drag mouse over image for larger view
  • Fisheye Video APS-C
  • suitable for APS-C sensor
  • designed for system cameras
  • for Fujifilm X
  • for videography and photography
  • unique perspective with very large depth of field
  • stepless aperture adjustment
  • Aperture ring and focus ring with gear ring for focus pullers (follow focus systems)
  • multi-coated glass lenses
  • manual focusing
  • 180° angle of view
  • lightweight and compact design

Developed for videography and photography
With the Samyang 8/3.1 Fisheye VCSC, you are equipped for both video and photography without having to make time-consuming changes to your camera. The aperture can be adjusted continuously, minimizing exposure transitions. The aperture ring and focus ring have a gear ring and are therefore optimized for use with focus pullers (follow focus systems). Lens for APS cameras!

Exceptional creative possibilities
Whether panorama and landscape photography or unique effect images - thanks to the special depth of field and an image angle of 180°, there are no longer any limits to your creativity. The Samyang 8/3.1 Fisheye VCSC offers photographers and filmmakers a wide range of creative possibilities. Straight lines that are not in the center of the image are displayed in a cascading manner, the distortion is strongly barrel-shaped. At 8 mm, this special type of lens has a particularly short focal length for its image format size, which means that the image is depicted with curved shapes. This gives images taken with the Samyang Fish-Eye its typical spherically distorted perspective. Focusing and aperture adjustment are manual.

Outstanding optical construction
All 11 glass elements of the Lens are multi-coated, resulting in an excellent contrast and sharpness range as well as a balanced color balance. Thanks to the use of three ED (extra low dispersion) and two aspherical lenses, chromatic aberrations and spherical aberrations are corrected. The particularly high-quality optics of the Lens ensure optimum image results. The high speed of T/3.1 enables excellent images to be taken even in less favorable lighting conditions. A fixed lens hood prevents light entering from the side and lens reflections. The lens is suitable for system cameras and is therefore particularly light and easy to handle.

Using an APS-C lens on a camera with a full-frame sensor
Lenses developed for cameras with an APS-C sensor can also be used on cameras with a full-frame sensor in some cases (mainly using an adapter). Due to the significantly smaller image circle of APS-C Lens, the sensor area shows everything outside the image circle in black. The usable area of the image photographed with a full-frame camera therefore corresponds to that of a camera with an APS-C sensor and is correspondingly smaller. The images must therefore be cropped in post-processing. In the video sector, this method requires framing in post-production. The use of APS-C Lens on full-frame cameras is therefore possible, but not recommended.

Why the aperture is sometimes given in T
In photography, the abbreviation "f" is used for aperture (from "focal length"). The specified value indicates the ratio between the focal length and the entrance pupil on the Lens. In the film and video sector, on the other hand, the abbreviation "T" is used, which stands for "transmission". This value is calculated from the aperture f and the light loss in the respective Lens. It indicates the net brightness of the image that hits the sensor. This makes it possible to change the lens when filming: as long as the "T-Stop" is selected the same for both, it is guaranteed that two shots filmed with different lenses of the same subject will be equally bright. This means that there are no jumps in brightness when they are combined in the edit.

Am Außenlager. Lieferzeit 4-6 Werktage nach Zahlungseingang.
387,61 Objektiv für Systemkamera - APS-C / MFT
incl. VAT /

Capture One Pro 23 - The Number 1 Image Editing Tool
Only 209,03 instead of 349,-

14 days free return shipping.

Samyang MF 8mm f/3.1 Fisheye Video Fujifilm X

Short profile

  • Fisheye Video APS-C
  • suitable for APS-C sensor
  • designed for system cameras
  • for Fujifilm X
  • for videography and photography
  • unique perspective with very large depth of field
  • stepless aperture adjustment
  • Aperture ring and focus ring with gear ring for focus pullers (follow focus systems)
  • multi-coated glass lenses
  • manual focusing
  • 180° angle of view
  • lightweight and compact design

Product description for Samyang MF 8mm f/3.1 Fisheye Video Fujifilm X

Developed for videography and photography
With the Samyang 8/3.1 Fisheye VCSC, you are equipped for both video and photography without having to make time-consuming changes to your camera. The aperture can be adjusted continuously, minimizing exposure transitions. The aperture ring and focus ring have a gear ring and are therefore optimized for use with focus pullers (follow focus systems). Lens for APS cameras!

Exceptional creative possibilities
Whether panorama and landscape photography or unique effect images - thanks to the special depth of field and an image angle of 180°, there are no longer any limits to your creativity. The Samyang 8/3.1 Fisheye VCSC offers photographers and filmmakers a wide range of creative possibilities. Straight lines that are not in the center of the image are displayed in a cascading manner, the distortion is strongly barrel-shaped. At 8 mm, this special type of lens has a particularly short focal length for its image format size, which means that the image is depicted with curved shapes. This gives images taken with the Samyang Fish-Eye its typical spherically distorted perspective. Focusing and aperture adjustment are manual.

Outstanding optical construction
All 11 glass elements of the Lens are multi-coated, resulting in an excellent contrast and sharpness range as well as a balanced color balance. Thanks to the use of three ED (extra low dispersion) and two aspherical lenses, chromatic aberrations and spherical aberrations are corrected. The particularly high-quality optics of the Lens ensure optimum image results. The high speed of T/3.1 enables excellent images to be taken even in less favorable lighting conditions. A fixed lens hood prevents light entering from the side and lens reflections. The lens is suitable for system cameras and is therefore particularly light and easy to handle.

Using an APS-C lens on a camera with a full-frame sensor
Lenses developed for cameras with an APS-C sensor can also be used on cameras with a full-frame sensor in some cases (mainly using an adapter). Due to the significantly smaller image circle of APS-C Lens, the sensor area shows everything outside the image circle in black. The usable area of the image photographed with a full-frame camera therefore corresponds to that of a camera with an APS-C sensor and is correspondingly smaller. The images must therefore be cropped in post-processing. In the video sector, this method requires framing in post-production. The use of APS-C Lens on full-frame cameras is therefore possible, but not recommended.

Why the aperture is sometimes given in T
In photography, the abbreviation "f" is used for aperture (from "focal length"). The specified value indicates the ratio between the focal length and the entrance pupil on the Lens. In the film and video sector, on the other hand, the abbreviation "T" is used, which stands for "transmission". This value is calculated from the aperture f and the light loss in the respective Lens. It indicates the net brightness of the image that hits the sensor. This makes it possible to change the lens when filming: as long as the "T-Stop" is selected the same for both, it is guaranteed that two shots filmed with different lenses of the same subject will be equally bright. This means that there are no jumps in brightness when they are combined in the edit.

Samyang MF 8mm f/3.1 Fisheye Video Fujifilm X

Optik
Brennweite
8 mm
optischer Zoom
1 fach
Lichtstärke f/
3,1
Naheinstellung
0,3 m
max. Abbildungsmaßstab
ohne Angabe
Objektivtyp
Weitwinkelobjektiv
Fisheye
Festbrennweite
Innenfokussierung
ja
Autofokus
nein
Technik
geeignet für
APS-C/DX Kamera
Objektiv-Anschluss
Fujifilm X
Ausstattung
Filtergewinde
ohne Angabe
Bildstabilisator
nein
Abmessungen und Gewicht
Länge ca.
105,8 mm
Durchmesser ca.
75 mm
Gewicht ca.
450 g
Sonstiges
Farbton
schwarz
Lieferumfang
Im Lieferumfang
1x Samyang 8/3,1 Fisheye Video APS-C Objektiv, 2x Schutzdeckel (vorne und hinten), 1x Aufbewahrungsbeutel und 1x Anleitung
EAN and KAN KAN
EAN
8809298882426
KAN
21915
Complete technical data
Datenblatt Samyang MF 8mm f/3,1 Fisheye Video (PDF, Deutsch)

Also interesting

Newsletter

Latest offers, exclusive benefits, news, events, info more

Subscribe now

Guide to moon photography

There are not only a few myths and stories from the past few years about our celestial satellite, but it is also more than ever the focus of astronomers, scientists and the like. In this article, we want to give you the best tips on equipment and settings for the perfect photo of the moon.

Read now

Camera Basics #19: Tilt shift lenses and the effect explained

The tilt shift effect is certainly an old shoe for many photographers, but this effect is very interesting to consider because it can be found in many facets of photography, so the use of tilt shift optics is not only at home in architectural photography.

Read now

The best cameras for beginners / novices

Photography is perhaps the most beautiful hobby! However, photography is certainly not one of the cheapest hobbies, and with this guide we want to give you an overview of which cameras are particularly well suited for starting this multi-faceted hobby.

Inform yourself now

The new snapshot is here!

The latest issue of Schnappschuss' is all about Behind the Scenes!

Read now!

Camera Basics #15: What is bokeh anyway?

The magic of photography has always been characterized by its aesthetics of cropping and the play of light and shadow. The word bokeh comes from the Japanese and translated means as much as "blur" or also the "blurriness".

Read now

Difference between contrast, phase hybrid autofocus

Autofocus takes a lot of the work out of photography; of course, there are also purists who like to focus manually.

learn more

Camera Basics #13: CMOS, BSI sensor or stacked sensor? What are the differences?

As a specialist retailer, we have a mission: we want to give you the best possible advice and help you to better understand the differences between the various technologies available on the camera market. That's why we want to give you an understanding of the different sensor technologies today. In particular, the differences between the stacked sensor and the BSI sensor.

Read now